A psychological thriller on the opera stage – the opera Die Teufel von Loudun by Krzysztof Penderecki could certainly receive such an introduction. On June 27, 2022, the piece will premiere in a new production by Simon Stone at the Bayerische Staatsoper, with Vladimir Jurowski as musical director.
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“We want to be in your gang!” – That’s likely what Schiller’s robbers would have said to their captain Karl Moor if they had lived in the 21st century. In Ludger Vollmer’s opera for young people, Schillers Räuber, they use these exact words. The play will premiere at the Stadttheater in Hildesheim on June 25, 2022. Achim Falkenhausen takes charge of musical direction, Oliver Pauli is director and Alaz Deniz Köymen, choreographer.
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Carmina Burana by Carl Orff is undoubtedly among the most popular symphonic choral works. Paul Leonhard Schäffer’s new reduced version offers smaller ensembles the opportunity to perform this large-scale work, whilst maintaining the “original sound”. Schäffer’s version will be heard for the first time on June 19, 2022 in Visp, Switzerland, performed by both Oberwalliser Vokalensemble and the Chaarts Ensemble, conducted by Hansruedi Kampfen. A further performance will follow on June 25, 2022 in Boswil.
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Displacement and cultural longing – this is, according to Julian Anderson, the essence of his composition Exiles for solo soprano, chorus and orchestra. Over five movements, the composer thematises variations of exclusion and exile, ranging from corona-lockdown to national socialism. The work’s texts include French, Hebrew, English and Czech, as well as quotations from the Bible. The world premiere on 22 April 2022 at the Philharmonie Berlin sees Robin Ticciati conduct the Rundfunkchor Berlin and the Deutsches Symphonie-Orchester Berlin with soloist, Australian soprano Siobhan Stagg.
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“The entire beginning is played without a bow. The conductor reacts slightly irritated.” Surprisingly, this is not a stage direction, but is taken from the score of Joerg Widmann’s Viola Concerto. The SWR-Symphony Orchestra, conducted by Theodor Currentzis, will perform Widmann’s work throughout their current European tour. Premiered in 2015 with Antoine Tamestit as soloist, the programme for this tour is one of German, Ukranian and Russian heritage, sending a message of unification and peace. Continue reading “Work of the Week – Joerg Widmann: Viola Concerto”
The war in Ukraine continues to shock the whole world as millions of people are leaving their homes and communities in search of peace. Among them, the renowned Ukrainian composer, Valentin Silvestrov, who celebrates his 85thbirthday in September. Originally, Silvestrov did not want to leave Kiev, but as the war progressed he and his family were forced to flee to Berlin, where the composer has been living and composing since 8 March. His Prayer for the Ukraine, composed in 2014, is now seeing performances in concert halls around the world. Continue reading “Work of the Week – Valentin Silvestrov: Prayer for the Ukraine”
And just like that, we find ourselves exploring the first work of spring! Katherine Balch’s work Illuminate follows the seasons through a cycle of five movements, beginning and ending with spring. On 26 March 2022, Donato Cabrera conducts the world premiere of the work at the Lesher Center for the Arts in Walnut Creek, California. Sopranos Molly Netter and Alexandra Smither alongside mezzo-soprano Kelly Guerra are accompanied by the California Symphony Orchestra. Continue reading “Work of the Week – Katherine Balch: Illuminate”
An opera with only two performers – a rarity within which Anno Schreier has succeeded. Within his new ballad, fairytale mini-opera Mina “The journey to the sea”, we enter into the adventures of a young girl with mutism who discovers the magic of music. The opera’s premiere is set to take place on 20 March 2022 at the Theatre Bonn. Flautist Sally Beck alongside baritone Frederik Schauhoff will perform all 21 roles providing a ballad-like background to the play. Continue reading “Work of the Week – Anno Schreier: Mina”
On 8 March, the world celebrates the 111th International Women’s Day. There seems no better occasion to take a look at female composers and their works in the Schott catalogue . There have certainly been moves recently further to promote the myriad of works by female composers. In spite of this, the work of male composers still dominates the music scene. One piece that remains largely unknown is the Concert Overture No. 2 for full orchestra by Florence Beatrice Price. Continue reading “Work of the Week – Florence B. Price: Concert Overture No. 2”
Reverent chorales alongside circus music – a contradiction? Joerg Widmann unites the alleged opposites in his 7 Capricci for saxophone quartet. On 4 March 2022 the Spanish Kebyart Ensemble will present the British premiere in London’s Jarewood Hall at LSO St. Luke’ s. Continue reading “Work of the Week – Joerg Widmann: 7 Capricci”
